DANCING AT THE END OF THE WORLD
Nearly a century of German political and social shifts are translated into human experience in Sacks’ new novel, starting with a 1933 prologue introducing young Klara von Arnsberg—“Narrow all over, sharp at the edges. Hard, a little cruel”—the daughter of a wealthy industrialist family. Klara’s betrayal of Max, her “clever and kind” Jewish friend, is …

