Clarke recaps the Gospel Nativity story through the perspective of Maor, an old mouse living in the Bethlehem stable where Joseph and Mary take shelter and Mary delivers Jesus. (Other barnyard animals are present, including a nervous dove called Mendel, a stentorian goose called Gettel, and a cow called Rebecca, whose feed trough makes a serviceable crib.) Jesus’ birth is a hushed affair marked by a quiet holiness emanating from the infant “like a soft breeze,” but it soon draws attention: Poor shepherd boys appear, told by an angel to seek out the newborn babe; the Three Wise Men arrive from the East, summoned by a dream and bearing gifts of gold, myrrh, and frankincense. This rendition of the foundational Christian narrative unfolds in spare but limpid prose that emphasizes the simple humanity of the Holy Family. (“Joseph pressed a damp cloth to his warm body and then washed his son. He gently wrapped the newborn in his best headscarf and placed Him in the arms of His mother.”) Clarke can also write in a more exalted register as awestruck beasts take in the celestial celebration of Christ’s advent. (“Suddenly, it was as if the stable roof opened, and a cloudburst of music gushed forth from the heavens. A thick foggy mist appeared around the stable rafters filled with tiny specks of light the size of a grain of sand.”) Kenny’s illustrations are realistic but also atmospheric with rich chiaroscuro; the people are suffused with unobtrusive joy, and the vividly drawn animals display inquisitive gazes. Her color scheme paints a world of subdued browns, grays, and olive greens that, in moments of divine drama, suddenly erupts with light and color. Children will like the critters, the vibrant visuals, and the homey details in this luminous version of the original Christmas story.
